1 673 безкоштовних аудіофайлів для "F Sharp Chords"

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

Ninth augmented fifth chord on C.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

C augmentedΕλληνικά: Η συγχορδία ΝΤΟ αυξημένη

Chords with a primary or secondary dominant function.

En I-ii7-V7-I-progression, sedan samma med V7 tritonussubstituerad.

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα

Dominant seventh flat five chord on C - As MIDI

Suspended 2nd Chord on C.

Suspended 4th Chord on C.

Suspended fourth chord on C in first inversion.

Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.

B diminishedΕλληνικά: Η συγχορδία ΣΙ ελαττωμένη

Maj ninth chord on C.

Mu chord on C. Created by Hyacinth (talk) 22:54, 3 June 2009 using Sibelius 5.

a kind of chord

In a triadic context chords with omitted thirds may be considered "indeterminate" triads.

Leading-tone seventh chord in C minor.

Minor seventh chord on e iii7 in C.

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

Dominant seventh flat nine chord on C - As MIDI

III+7M chord in C minor.

Supertonic diminished seventh chord in C (D♯=E♭).

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Dominant seventh raised ninth vs dominant seventh split third chord.

Common-tone diminished seventh chord.

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

3rd movement from J. S. Bach's Italian Concerto played on piano

2nd movement from J. S. Bach's Italian Concerto played on piano

1st movement from J. S. Bach's Italian Concerto played on piano

Nokturn f-moll op. 55 nr 1Nocturne in F minor, Op. 55 no. 1

Leading-tone seventh chord in C major.

Add6 chord on C

Nocturne No. 20 in C-sharp minor, Op. posth.

Dominant ninth chord on C.

Dominant seventh chord (V7) in C, G7.

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

D chord in all fourths tuning.

Dominant eleventh chord in four-part writing.

German sixth equals dominant seventh

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Seventh augmented eleventh chord on C.

Thirteenth chord C13(b9). Created by Hyacinth (talk) 19:39, 4 July 2009 using Sibelius 5.

Augmented dominant seventh chord on C

Thirteenth chord C13. Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Ninth flat five chord on C. Created by Hyacinth (talk) 12:26, 29 May 2011 (UTC) using Sibelius 5.